The
lesson imparted by Dickens' best-known tale is not to seek joyful
connection with your fellow humans, but to wait for your oppressor's
moment of illness-induced weakness and strike with impunity.
171
years ago Britain was experiencing a resurgence in the popularity of
Christmas wholly foreign to us now, blessed as we are with a
Christmas holiday that is attempting to overtake Halloween and must
be bludgeoned to death halfway through January. The Industrial
Revolution was ending, but the negative effects of high-density
urbanization in Britain were devastating to the lower levels of
social strata and, therefore, the morale of the country at large. As
a result, people leapt at the chance to have their own Christmas
tree, recently made trendy along with the Christmas card and public
caroling. It may not seem like much now, but it was a remarkably
effective way to take everyone's mind off the daily horror of
pestilence-soaked London before the invention of Valium and Netflix.
Hot on the heels of the new-fangled trees and cards Dickens published
his little Christmas yarn, and it is with us now, after having been
filmed twenty-one times, adapted for television twenty-seven times,
and translated into at least two dozen languages. But, as I will
show, we've been getting it wrong for almost two centuries.
The story
is well known to you, and I won't rehash any more of it than I
absolutely must. In the interest of preventing sloth, however, I
decided to not rely on my slightly pickled recollection based
tenuously on thirty-four years spent watching the film in a dozen or
so different flavors, usually repeatedly and with only a fraction of
my attention over the course of fifteen or twenty consecutive days.
Details can start to run together due to familiarity, so I thought it
necessary to re-read the original text. I set out to write this
convinced that Scrooge became startled by his ghostly doorknocker and
fell backward down the steps, as any attempt on my part to remember
the scene involved that particular. I was entirely wrong, and not
just because of the medicinally-applied alcohol. As it turns out,
various directors and screenwriters throughout the years have decided
that this timeless classic needed a little punching up in places,
similar to Michael Bay turning The Transformers into two hours
of crayons in a blender while an old Calvin Klein underwear model
never quite makes it out of his wet paper bag. These kinds of thing
must be resisted, and so in deference to placing far more importance
on tiny details than they deserve, Dickens' edition will be the one I
refer to.
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Do you want a Wahlberg as Tiny Tim? Because Bay will do it. |
It
should be noted that, across a century's worth of film
interpretations ranging from abysmal to your personal favorite, The
Muppet's Christmas Carol
objectively stands out as the film which keeps onscreen dialogue
closest to the original text. Gonzo the Great, acting as Dickens
acting as The Narrator, speaks whole paragraphs word for word in the
singularly simple yet striking style. You recall the early scene
which finds Scrooge arriving home and turning his key in the door
lock only to be startled by seeing Jacob Marley's face where the door
knocker should be. Dickens describes the specter as having “a
dismal light about it, like a bad lobster in a dark cellar,” and
Gonzo speaks those words on camera. The inclusion of that particular
line of narration, a simile for which no amount of explanation can
bring clarity if one lacks the understanding, makes this
interpretation of the story unlike any other and deserving of
appreciation, interminable musical numbers notwithstanding.
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Well done, rat and Whatever. |
Ebenezer
Scrooge was an asshole. That much we can all agree on. His moods and
attitudes were such a clear cut stripe of constantly mean-spirited,
greedy, and confrontational that his name is now invoked as
archetypal shorthand when seeking a way to describe horrible people
we know. Scrooge is the progenitor to Snidely Whiplash, the Nazi
dentist from Marathon Man, and Mitt Romney. Scrooge is the
reason one wheel of a shopping cart is always fucked up, and why the
toilet seat is always frigid. To wit: “External heat and cold had little influence on Scrooge. No warmth could warm, no wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn't know where to have him. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect. They often came down handsomely, and Scrooge never did.” His financial
dominance over the town and people in it is absolute, and has created
such antipathy toward him that no one will give a moment's thought
before taking his dressing gown and bed curtains away to fence before
his dead body has cooled, as some of the more timid adaptations
choose to omit. When Scrooge arrives on Christmas morning with kind
words and gifts for everyone, instead of reacting as any abused
people naturally would – with mistrust and wariness – he is
joyfully accepted. Dickens would have you believe the warmth of the
Christmas spirit had overtaken everyone and elevated them as a
community, but this is inexplicable and inconsistent with how the
group could reasonably be predicted to react.
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On the other hand, you rarely find bloodthirsty mobs in heartwarming classics. |
At the
opening of the story, a collector comes to Scrooge asking for money
to benefit the poor and hungry, and Scrooge sends him away with the
suggestion he enlist the services of poor houses and debtor's
prisons. When, the following morning, Scrooge pounces on him with
gleeful promises of a substantial donation including “many back
payments,” the charity worker doesn't react with the derision and
scorn one would rightly expect. Instead, man acts gullibly elated at
the good news. This doesn't just cast doubt on his selection as a
solicitor and handler of money, it paints him as likely too stupid to
survive a haircut. When your malevolent overlord becomes startlingly
gracious to you without warning, what right-thinking,
pattern-recognizing person wouldn't steel themselves for the other
shoe to drop on the cruel indignity that is surely to come?
Upon waking
Christmas morning, Scrooge publicly engages in behavior that is so
drastically far from his normal disposition that it should raise
serious concerns among anyone paying the slightest attention. He
becomes excessively generous with his money instead of unerringly
greedy, displays exceedingly good will towards his fellow citizens
instead of enmity, treats his staff as a valued asset instead of a
manipulated commodity, and seems to become the philanthropic
patriarchal pillar of the community in less time than the sun shines
on one of the shortest winter days. Everyone just takes this in
stride, for absolutely no reason, and even actively participates. The
young boy Scrooge sends to the butcher should never have believed for
a second the errand was real, it being far more likely that he would
have taken the opportunity to throw a shit-covered rock from the
gutter at Scrooge's head. Even more disturbing are the choices of the
shop butcher, who is both open for business at dawn on Christmas
morning and willing to personally bring one his most expensive items
C.O.D. to the town's biggest asshole on the word of a filthy street
urchin.
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"Isn't this a face you can trust?" |
Accustomed
as we all are to the moral of the story, and to the unexplained and
slightly suspicious desire we all seem to innately have for Scrooge
to change his ways and become Tiny Tim's BFF, I think we've let a
cynical accounting of the tale remain neglected. Scrooge's turn at
the end of the story to become a broad-spectrum beneficiary of
mankind is still mildly motivating and heart-warming in a
contemporary reading, as well it should be. But as warm and fuzzy as
it may make us feel to witness his seamless transition to benevolence
and the community's immediate and unconditional embrace of him, as
vindicating as it might feel to know Scrooge has sponged away the
writing on not only his stone but the Cratchits as well, we have
allowed an idea that makes us happy to go unchallenged due to the
probable unpleasantness of examining it. In fact, an attempt to check
in once more on Scrooge would no doubt be an unpleasant and
shockingly ugly rehash of the first fifth of the story with none of
the transcendent experiences or redemption of the latter sections.
Because of how I say he came about it, Scrooge's philanthropic
transformation will likely be brutally temporary, and the resulting
backlash as he returns to his normal disposition will no doubt carry
with it vicious overcompensation to correct for his resultant shame
and embarrassment.
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"Mandatory quartz buttplugs for everyone!" |
As
mentioned before, the extant text has no account of Scrooge suffering
any head injury as a result of either falling on his steps or any
other accident. Since some of the movies have seen fit to include it,
however, there's no harm in taking a look. Falling backwards as he
did, Scrooge would have suffered a trauma to his occipital lobe and,
one would assume, a countercoup trauma to his frontal lobe. My degree
from the Hollywood Upstairs Medical College is enough for me to know
that occipital damage could produce hallucinations while frontal lobe
damage could create the dramatic behavioral changes. Unfortunately,
damage to the extent I am describing would likely be accompanied by a
host of other problems like uncoordinated speech and movement. The
damage, combined with no witnesses to Scrooge's fall and the missed
opportunity to employ the stunning efficacy of Victorian-era medicine
means the chances of Scrooge having a cogent exchange with the errand
boy regarding the availability of the prize goose, much less
awakening from his time-traveling coma, would be slim to none. It's
not all depressing, though. In fact, given one of the more striking
but common behavioral changes reported in “didn't-kill-you” head
trauma, it's a wonder we haven't been treated to Scrooge
unceremoniously displaying his Victorian twig-and-berries to the
assembled onlookers without provocation. I argue that some
old-fashioned British dick-swinging could have made Tiny Tim's final
speech that much more poignant.
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There's a "third leg" joke in there somewhere... |
Another
possible explanation for Scrooge's established standard of selfish
and miserly behavior could be a simple result of oxytocin deficiency.
Oxytocin is a hormone produced primarily in the brain without which
society would be harder to maintain than it is now, as its effects
are associated with trust, social bonding, and generosity.
Artificially-delivered oxytocin creates a predictable result in
testing environments, making people more likely to share or
empathize, for example. In some people the receptors responsible for
uptaking oxytocin are not as plentiful as they should be, due to
genetic abnormalities, and these people have marked differences in
social interaction and an exaggerated anxiety response. This kind of
condition would be completely undetectable to the medical community
of the time, and in any case untreatable overnight and could be in no
way affected by spectral intercession of the kind Dickens describes.
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Some "smoke-tral" intercession, though...right? I apologize. |
Since
neurochemicals cannot be blamed, and Dickens' own hand precludes head
injury, we are left with the most probable explanation, an answer
Scrooge himself had known the entire time. When he accused Marley of
being composed “more of gravy than of grave,” he was exactly
right. Dickens describes early on how Scrooge's evening routine plays
out, with him taking “his melancholy dinner in his usual melancholy
tavern.” Given that Marley's arrival and his dinner can only have
been separated by a handful of hours, his evening meal -- which he
relates as consisting of beef, mustard, cheese, potato, and the
aforementioned gravy -- would not have had sufficient time to
incubate enough pathogens to create illness. However, since Scrooge's
behaviors as a creature of habit have been spelled out in great
detail, it seems reasonable to conclude that a poorly-handled bit of
uncured meat or gravy from earlier in the week is undoubtably
responsible. Some nasty bout of acute foodborne poisoning delivered
from any number of the readily available and nauseatingly disgusting
sources in overcrowded and choleric London could be responsible for
his feverish hallucinations, and the shock resulting from the mortal
terror instilled in his mind due to those hallucinations could then
conceivably produce his philanthropy. But, like all moments we
consider life-changing while their perfume hangs in the air, the
resulting sway these visions had over him and his strength of will no
doubt faded with the passage of time. It is truly unfortunate Dickens
never gave us a sequel, so we could see Scrooge return to caning
orphans in the street on New Year's Eve, once his stomach felt
better.
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"Quartz! For EVERYONE!" |
Turning to
the people of Britain now, and their astonishingly out-of-character
response to Scrooge's turnaround given his history and character,
just a little investigation finds a cleverly hidden moral underneath
the many obfuscating layers of lofty community togetherness. Dickens
would have you believe that, were your master – a term my
contemporaries use sexually, having no understanding of what it would
be like to live under the whims of another human being – to appear
at your doorstep on Christmas morning, you would throw open your arms
and take him into your family celebration without the slightest
compunction. Indeed, the way the Cratchits are painted would make any
kind of effort on Bob's part to stand up for himself entirely out of
character, so it's not a terrible stretch, but no one should believe
it for a moment. I ask you to consider the motivation of these people
for their instant and inexplicable acceptance. Instead of being an
example of redemption through forgiveness, Scrooge is the lame animal
who doesn't know enough to try and hide its infirmity. Why would the
kind-hearted townspeople take advantage of him? For the same reason
you or I would were we presented with a mentally broken Donald Trump
or Rupert Murdoch handing out diamonds or Rolex watches or whatever
it is the superrich keep in their pockets to tip jet bartenders. I
say they saw him coming, thanks to advance notice from the street
urchin and butcher, and were laying in wait to try and get whatever
they could out of him. By presenting all toothless smiles and unbared
claws, the townspeople displayed their cynical and shrewd calculation
of Scrooge's state as a poorly-stitched moneybag. You know the kind,
with the dollar sign on the side that the Beagle Boys used to carry?
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Seen here in a historical document on loan from the Library of Congress. |
There is no
alarm at his condition or investigation as to how his change of heart
came to be, but unquestioning acceptance of a Christmas miracle. It
is perhaps worth mentioning that this is the first non-religious
story to introduce the now-familiar concept of Christmas miracles,
though the implied significance attached to arbitrary calendar dates
continues to elude my understanding. Had Scrooge become Daddy
Warbucks on Saint Swivven's Day, or of his own volition rather than
the threats of spectral terrorists, would his charity then be less
heart-warming or – if you can stomach it – inspirational?
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